Wyandot Potter


Alfred Ceramic Art Museum Acquires Trigram Vision

From the Ceramophile Magazine:IMG_3551

lidded tree bark bowl



This piece represents the evolution of style and design. The bowl is stamped in the traditional swift creek style. For the base I made the bark stamp out of clay. By mirroring a section of dogwood bark with clay, the living tree helps to tell the story. The base represents the actual physical appearance of the tree while the lid represents the divine creation that is within. Perhaps the lid can be seen as an intuitive rendering of tree cells magnified 1000 times. This piece is available through Native American Collections. Click on this link and scroll down to the bottom of the page: http://nativepots.com/sanpottery.html

Bark Stamp Process

Here I thought I would share some photos of my bark stamp process.

I took these photos while making my latest bark stamp vessel.

To make the stamp I simply pressed a slab of clay into the bark

of a hickory tree and fired it. Usually I carve stanps out of wood

but this is something different.

Here is the second go around with the stamp.

It is a pretty deeply textured stamp,

When stamping the form expands in a controlled manner.

The coiled form is built to anticipate the expansion.

Getting ready to round the shoulder.

Here I have my stamping kit:

Stamp, crushed flint for release and Lingam

Stone for an anvil.


Here we are half-way around.

Look at how much the form stretches as it receives texture.


After stamping, it is time to give the wheel a spin

and shape the inside with a rib tool.

Finishing out the form.

Stamping coiling, stamping coiling…

Here the rim has been cut.

Now to paint the interior with iron slip.

After this I get to rub the inside with a stone.

The burnishing process takes an entire day.

After the form is completed it is left to dry and then fired.

Then it is painted and fired again.

While it is still warm the interior is rubbed with linseed oil

to protect the piece and enhance the surface.

Natural Revelation

Natural Revelation. by, Jamie Zane Smith My latest double-walled sculptural bowl. The detail was coiled and impressed with a hand-carved walnut stamp. After it was formed I painted it with different slips and pigments. After the form was completed I carved the base out of a chunk of Arborvitae wood found at La Vista farm.

Some photos of a piece at King Galleries of Scottsdale

This Piece is Shaped in the traditional Wyandot kettle style. It is decorated with an original stamp based on ancient Swift Creek pottery designs. The decorations have been enhanced by hand ground slip paint that are fired on. The stamp I carved from a chunk of walnut wood collected many years ago.

New Pots For Native American Collections in Denver

Corrugated coil pottery has become a Wyandot tradition as I am second generation working to master the technique. This particular way of decorating this bowl requires 3 arduous firings of my wood kiln! There is a lot of embodied energy in this piece. It is built with our native clay and painted with hand ground clay pigments. The handle is made from walnut wood that I sculpted to fit the lid. I really enjoy continuing on the coil pottery tradition!

This piece draws from several ancient techniques. First the vessel is built using wavy overlapping corrugated coils. Once each coil is in place it is stamped with a swift creek style concentric circle stamp. The shape that the finished pot takes on is the shape of a traditional Wyandot kettle. I have accentuated the rim with cutouts and a stone polish. All of the slip paints are created by myself. The orange comes from New Mexico near where I used to live. The clay is from our sacred source in Oklahoma collected and processed by traditional methods. Finally, the fuel for firing is all found locally and carefully combusted in my hand-built kiln built from clay on the land. My favorite part about what I do is that I almost never have to go to the store to buy materials and I can recreate this bit of my heritage culture wherever I live!